Les Enfants du Paradis

A vibrant embodiment of the creative spirit under duress

Les Enfants du Paradis
The story behind the making of Les Enfants du Paradis (Children of Paradise) is as interesting as the film itself, and since the film is one of the great achievements of French cinema, that’s saying something. Director Marcel Carné and writer Jacques Prévert developed the film under the suspicious gaze of movie-industry regulators in Nazi-occupied France, and somehow managed to slip a deliciously subversive work of art past them.

The film’s title is an ironical reference to the inhabitants of the nosebleed section of theatres at the time. The title also refers to those lucky and gifted enough to perform on the stage, for this very same audience reveres the actors as gods.

Les Enfants du Paradis follows a four person circle of unrequited love, where each member loves someone who cannot or will not love them in the way that they need or desire. This wild goose chase of unrequited love begins with the beautiful and mysterious Garance (Arletty), who is pursued by men she doesn’t love, while loving a man who is too much the idealist and romantic to love her back.

Set in post-revolutionary 19th century France, the film’s commentary on Nazi occupation is sly. When we learn that actors are not allowed to speak on stage, as was the case at the time, the parallels to contemporary Europe, where artistic freedom was stifled under the boot heels of fascism, is clear. Also clear is Carné’s contention that while artistic expression may be temporarily muffled, it can never be completely oppressed. (D. Jardine, Apollo Guide)

Les Enfants du Paradis

Sponsored by Alliance Francaise de Denver and The French Film Office

Sat October 8, 2005, 7:00 only, Muenzinger Auditorium

190min, France, 1945, in French w/English subtitles, Black and White



10 films for $60 with punch card
$9 general admission. $7 w/UCB student ID, $7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.


Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters along Colorado Ave east of Folsom stadium and along University Ave west of Macky.


Park elsewhere and catch the HOP to campus

International Film Series

(Originally called The University Film Commission)
Established 1941 by James Sandoe.

First Person Cinema

(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.

C.U. Film Program

(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil Grillo.

Celebrating Stan

Created by Suranjan Ganguly in 2003.

C.U. Department of Cinema Studies & Moving Image Arts

Established 2017 by Chair Ernesto Acevedo-Muñoz.

Thank you, sponsors!
Boulder International Film Festival
Department of Cinema Studies & Moving Image Arts

Looking for a gift for a friend?
Buy a Frequent Patron Punch Card for $60 at any IFS show. With the punch card you can see ten films (a value of $90).

Cox & Kjølseth
: Filmmaker Alex Cox & Pablo Kjølseth discuss film topics from their own unique perspectives.

: Pablo and Ana share Zoom-based briefs on what's currently playing at IFS

Search IFS schedules

Index of visiting artists

Sun Mar 10, 2024

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

At Muenzinger Auditorium

Mon Apr 1, 2024

Hot Shots! Part Deux

At Muenzinger Auditorium

more on 35mm...