The Tourneés Festival is made possible with the support of the Cultural Services of the French Embassy in the U.S., the Centre National du Cinéma et de l'Image Animée (CNC), the French American Cultural Fund, Florence Gould Foundation and Highbrow Entertainment.
"I wanted to tell the story of the last romantic couple," Jean-Luc Godard said of this brilliant, all-over-the-place adventure and meditation about two lovers on the run (Jean-Paul Belmondo and Anna Karina).
Made in 1965, this film, with its ravishing colors and beautiful 'Scope camerawork by Raoul Coutard, still looks as iconoclastic and fresh as it did when it belatedly opened in the U.S. Godard's misogynistic view of women as the ultimate betrayers is integral to the romanticism in much of his 60s work--and perhaps never more so than here--but Karina's charisma makes this pretty easy to ignore most of the time.
The movie's frequent shifts in style, emotion, and narrative are both challenging and intoxicating: American director Samuel Fuller turns up at a party scene to offer his definition of cinema, Karina performs two memorable songs in musical-comedy fashion, Belmondo's character quotes copiously from his reading, and a fair number of red and blue cars are stolen and destroyed. (J. Rosenbaum, Chicago Reader)
Pierrot Le Fou
Sat October 8, 2016, 7:30 only, Muenzinger Auditorium
France/Italy, 1965, English & French w/subtitles, Color, 110 min, R, 35mm (2.35:1) • official site
10 films for $60 with punch card
$9 general admission.
$7 w/UCB student ID,
$7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.
Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the
Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters
along Colorado Ave east of Folsom stadium and along University Ave west of Macky.
Park elsewhere and catch the HOP to campus
International Film Series
(Originally called The University Film Commission)
Established 1941 by James Sandoe.
First Person Cinema
(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.
C.U. Film Program
(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil
Created by Suranjan Ganguly in 2003.
C.U. Department of Cinema Studies & Moving Image Arts
Established 2017 by Chair Ernesto Acevedo-Muñoz.
Thank you, sponsors!
Looking for a gift for a friend?
Buy a Frequent Patron Punch Card for $60 at any IFS show.
With the punch card you can see ten films (a value of $90).
IFS tickets are only available at the door on day of show. With 400 seats and
rare sell-outs, by arriving a bit early you're almost certainly guaranteed a
seat. We're happy to save seats for anyone traveling from afar--just let us
know how many people are in your group by email. Tickets go on sale 30 minutes
Virtual screenings from independent distributors support the IFS through revenue
sharing. When you watch these theatrical releases at home, the distributor will
split the proceeds 50/50 with the IFS. Prices vary.
First Person Cinema events screen in the VAC basement auditorium on select Mondays.
Celebrating Stan screens in ATLAS 100. Admission is free.
IFS screens films in Muenzinger Auditorium, west of Folsom Football Stadium.
Admission (unless otherwise noted):
$9 general admission,
$7 w/UCB student ID,
$7 for senior citizens.
10 films for $60 with punch card.
We give a $1 discount to anyone with a bike helmet, and you can see movies for
free on your birthday, or if you are assisting someone in a wheelchair. Credit
cards are accepted at the door.
If you want to be guaranteed a seat please arrive early. Tickets go on sale
30 minutes before showtime.