This story about murder and betrayal becomes murky long before its conclusion, but Orson Welles's quintessential film noir is about moral chaos, and Welles's stunning visuals speak for themselves. Shot in sharp black-and white, the story of innocent narrator Michael O'Hara's twisted journey into the netherworld is told through deep shadows, skewed compositions, and unsettling close-ups. Enchancing the surreally ominous atmosphere is the choice of settings, such as the San Francisco Aquarium love scene, in which the convoluted tale reaches its appropriate climax in an abandoned fun house that embodies O'Hara's nightmarish confusion. Finding the perfect image for shattered relationships and fractured personalities, Welles's famous final shootout takes place in the fun house's hall of mirrors, as O'Hara learns the truth in a place that trades on deception. Judging the narrative too Byzantine for his taste, Columbia chief Harry Cohn demanded that Lady from Shanghai be reedited, redubbed, and rescored before it was released. It still failed at the box office, rendering Welles a Hollywood outcast for almost a decade. — Lucia Bozzola, AllMovie
The Lady from Shanghai
Tue April 23, 2019, 7:30 PM, Muenzinger Auditorium
USA, 1947, in English, Black and White, 87 min, 1.37 : 1
Director: Orson Welles, Screenplay: Orson Welles, Novel: Sherwood King, Writer: William Castle, Charles Lederer, Fletcher Markle, Cast: Rita Hayworth, Orson Welles, Everett Sloane, Glenn Anders, Ted de Corsia
10 films for $60 with punch card
$9 general admission.
$7 w/UCB student ID,
$7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.
Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the
Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters
along Colorado Ave east of Folsom stadium and along University Ave west of Macky.
Park elsewhere and catch the HOP to campus
International Film Series
(Originally called The University Film Commission)
Established 1941 by James Sandoe.
First Person Cinema
(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.
C.U. Film Program
(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil
Created by Suranjan Ganguly in 2003.
C.U. Department of Cinema Studies & Moving Image Arts
Established 2017 by Chair Ernesto Acevedo-Muñoz.
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IFS tickets are only available at the door on day of show. With 400 seats and
rare sell-outs, by arriving a bit early you're almost certainly guaranteed a
seat. Tickets go on sale 30 minutes
IFS screens films in Muenzinger Auditorium, west of Folsom Football Stadium.
Admission (unless otherwise noted):
$9 general admission,
$7 w/UCB student ID,
$7 for senior citizens.
10 films for $60 with punch card.
We give a $1 discount to anyone with a bike helmet, and you can see movies for
free on your birthday, or if you are assisting someone in a wheelchair. Credit
cards are accepted at the door.