There's very little to say about Birdemic: Shock and Terror, unless you're in a room with at least 20 of your most ebullient, intoxicated friends who can yell at the screen, laugh at the primitive craftsmanship, howl at the ludicrous plot and dialogue, and generally have a good time at the expense of a movie that must know it's an awful affair designed to please for just those reasons. Filmmaker James Nguyen was probably a little surprised by the attention this shot-on-video labor sparked when it found a cult audience in a number of cities in the United States (and even abroad). It's certainly a surprise that the DVD is sparking another round of interest when the film itself is so dreadful. It's hard to make the argument that that's the point when the word amateurish doesn't even come close to describing the technical construction and acting, let alone the bizarre story of birds that fly amok and kill people with talons, with vomit, or by spontaneously exploding. The "special effects" consist of the most rudimentary home computer graphics, and the production values include just about everything they tell you not to do on your first day at film school. The film's 90 minutes would be cut at least by half without the abundant footage devoted to people walking, people driving, people standing and sitting, and people going in and out of doors. But on to the story, which starts with a romance, then moves to some bizarre tribute to Hitchcock's The Birds as the stupidly animated creatures begin attacking, then ends as a polemic about how global warming is turning the world upside down (beginning with the creation of killer birds). To be fair, this could fit into the so-bad-it-could-be-good category for a large number of people who applaud effort and appreciate lameness as high irony. But in order to walk away with that opinion, it might be best to save Birdemic for a movie-night party with a room or theater full of fuzzy-headed comrades who can take the head-shaking shenanigans with several canisters full of salt. — Ted Fry, Amazon.com
Birdemic: Shock and Terror
Wed February 26, 2020, 7:30 PM, Muenzinger Auditorium
10 films for $60 with punch card
$9 general admission.
$7 w/UCB student ID,
$7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.
Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the
Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters
along Colorado Ave east of Folsom stadium and along University Ave west of Macky.
Park elsewhere and catch the HOP to campus
International Film Series
(Originally called The University Film Commission)
Established 1941 by James Sandoe.
First Person Cinema
(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.
C.U. Film Program
(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil
Created by Suranjan Ganguly in 2003.
C.U. Department of Cinema Studies & Moving Image Arts
Established 2017 by Chair Ernesto Acevedo-Muñoz.
Thank you, sponsors!
Looking for a gift for a friend?
Buy a Frequent Patron Punch Card for $60 at any IFS show.
With the punch card you can see ten films (a value of $90).
IFS tickets are only available at the door on day of show. With 400 seats and
rare sell-outs, by arriving a bit early you're almost certainly guaranteed a
seat. Tickets go on sale 30 minutes
IFS screens films in Muenzinger Auditorium, west of Folsom Football Stadium.
Admission (unless otherwise noted):
$9 general admission,
$7 w/UCB student ID,
$7 for senior citizens.
10 films for $60 with punch card.
We give a $1 discount to anyone with a bike helmet, and you can see movies for
free on your birthday, or if you are assisting someone in a wheelchair. Credit
cards are accepted at the door.