Tippett creates a universe in MAD GOD that is alive with danger and endless, telescoping possibilities. Things left in the background here form the starburst genesis of any number of speculative capillaries. The best kind of fantasy, it brings to mind the Troll Bridge sequence from Guillermo del Toro's HELLBOY II and works such as Terry Pratchett's Discworld series and Clive Barker's Imajica. There are worlds within worlds in MAD GOD, mythologies for every misshapen creature loping through the rubble and glass, like the one that looks like a red sock full of meat with the head and face of a surgeon, which captures a hopping abomination with a hook on wire baited with a light bulb that is itself dressed--vivisected, really--by the thing in the house on the hill that doesn't seem at all phased when its quarry screams like a chimp. And what of the creatures trapped in a torture dungeon our hero declines to free? The plastic baby doll masturbating joylessly in its cell and offering itself to our Nemo, our pilgrim, our Dorothy, in exchange for freedom, maybe. It's possible he knows more than he's telling and that all of these visions--like the creatures made of blood and lint that form the working class of MAD GOD's machine society--may not be as benign as they seem. This world is so dreadful it's easy to damn all its inhabitants, and so now MAD GOD becomes a commentary on our states of mind. — Walter Chaw, FilmFreakCentral.net
Fri & Sat October 7 & 8, 7:30 PM; Sun October 9, 2:00 PM, Muenzinger Auditorium
United States of America, 2022, in No Language, 83 min, DCP • official site
Director: Phil Tippett, Writer: Phil Tippett, Cast: Niketa Roman, Satish Ratakonda, Alex Cox, Harper Taylor, Brynn Taylor
10 films for $60 with punch card
$9 general admission.
$7 w/UCB student ID,
$7 for senior citizens
$1 discount to anyone with a bike helmet
Free on your birthday! CU Cinema Studies students get in free.
Pay lot 360 (now only $1/hour!), across from the buffalo statue and next to the
Duane Physics tower, is closest to Muenzinger. Free parking can be found after 5pm at the meters
along Colorado Ave east of Folsom stadium and along University Ave west of Macky.
Park elsewhere and catch the HOP to campus
International Film Series
(Originally called The University Film Commission)
Established 1941 by James Sandoe.
First Person Cinema
(Originally called The Experimental Cinema Group)
Established 1955 by Carla Selby, Gladney Oakley, Bruce Conner and Stan Brakhage.
C.U. Film Program
(AKA The Rocky Mountain Film Center)
First offered degrees in filmmaking and critical studies in 1989 under the guidance of Virgil
Created by Suranjan Ganguly in 2003.
C.U. Department of Cinema Studies & Moving Image Arts
Established 2017 by Chair Ernesto Acevedo-Muñoz.
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Buy a Frequent Patron Punch Card for $60 at any IFS show.
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rare sell-outs, by arriving a bit early you're almost certainly guaranteed a
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IFS screens films in Muenzinger Auditorium, west of Folsom Football Stadium.
Admission (unless otherwise noted):
$9 general admission,
$7 w/UCB student ID,
$7 for senior citizens.
10 films for $60 with punch card.
We give a $1 discount to anyone with a bike helmet, and you can see movies for
free on your birthday, or if you are assisting someone in a wheelchair. Credit
cards are accepted at the door.
If you want to be guaranteed a seat please arrive early. Tickets go on sale
30 minutes before showtime.